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In addition to 360RA-encoded tracks, I listened to several 2-channel stereo tracks from Tidal’s Master library to test the RA5000’s Immersive Audio Enhancement (IAE). Starting with some jazz, I played “I Had a Dream” by Chris Potter from There is a Tide. Without IAE, the sound was somewhat thin, but the bass was not bloated or overblown, and the soundstage was confined entirely to the speaker. Turning IAE on, the tonal character changed dramatically—the horns and sax solo sounded quite artificial, the bass was more prominent, and the low midrange was congested. On the plus side, the soundstage noticeably expanded, though most of it still appeared to come from the speaker.

Made in collaboration with legendary jazz bassist and sampling visionary, Miroslav Vitous, Miroslav Philharmonik 2 gives you a over 58GB sound library with over 2,700 instruments sampled in glorious high-definition audio. Every instrument fits — they are made to play together and made to stand alone. There are delicate strings, colorful woodwinds and majestic brass as well as brand new concert grand piano, harpsichord, orchestral chimes, marimba, vibraphone and glockenspiel sounds plus enhanced versions of the instruments in the original library.

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Past releases have introduced advanced features such as Sonar Active Controller Technologybit DAW processing, a bevy of high-quality plug-ins, full surround support, excellent virtual instruments, internal dynamic sidechaining and external gear delay compensation. Version 8 includes all of those features, plus new plug-ins and virtual instruments — such Producer TruePianos and a Cakewalk Shaper — along with workflow enhancements, optimization of the 64-Bit audio engine, and more efficient use of drivers focused Edition performance and stability.

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The final feature set delivers functional enhancements that boost the performance in various ways. ASIO-Guard is newly implemented into the Steinberg Audio Engine to improve stability and prevent data dropouts. Included for troubleshooting and diagnostics is the additional safe-start mode to disable user preferences temporarily. With the keyword-oriented search engine, individual tracks and channels can now be quickly found in large projects. MemZap stores positions and zoom factors within the project at any particular time, while the new Steinberg Hub appears on start up, comprising an enhanced Project Assistant plus additional information services, such as news and a regularly updated list of video tutorials.

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The Sony HT-G700 comes equipped with a pair of HDMI ports: one is a standard HDMI input, while the second is an HDMI ARC (short for “audio return channel”) port that supports eARC, an “enhanced” version of eARC that allows for lossless audio formats such as Dolby TrueHD and DTS-HD Master Audio (you can read all about ARC and eARC in this story). In addition to the HDMI ports, there’s also a Toslink optical digital input, plus a USB port that’s only for installing firmware updates.

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Are you interested in taking your productions to the next level? In this course, instructor Evan Sutton shares tips, workarounds, and time-saving techniques that can help music producers work smarter in the studio and enhance their final productions. Evan dives into drum programming and processing, and discusses synth programming, including how to get from MIDI to audio. He also shares practical tips that can help audio engineers as they work with vocals and get their mixes ready for mastering. Plus, learn how to apply EQ precisely, combine additive and subtractive EQ methods, and smooth out peaks and standing resonances with multiband compression.

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The 2-610 builds on this foundation by adding enhanced, user-requested features and build quality with a new cosmetic treatment. The result is a classic dual-channel tube preamplifier with all of the character of its vintage predecessor that meets and exceeds the requirements of the modern studio. Whether running pure analog or enhancing a digital audio workstation, the 2-610 brings classic tube character to any recording project. All-tube dual channel preamplifier derived from legendary Bill Putnam-designed 610 modular console Variable impedance Input, Gain, and Output levels High and Low shelving EQ Hand-built in USA; backed by 1-year limited warranty At our users' requests, the 2-610 has the extended top end shared by its cousins, plus a-15 dB pad. In addition, the 2-610 has improved stability in the feedback design of the shelf filters as well as an improved power supply. Our expertise in analog design translates into a classic tube preamplifier with all of the character of its vintage predecessor.

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The broadcast audio processor section also has a full range of tools for 'stand-alone' use including our world-renowned leveller, plus effective presence and brightness enhancers to make sure your signal stands out. ProCoder delivers typical Audessence clarity and fidelity on voices and music, but this box has the capability to go loud as well!

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